If you’re into graphic design, you should meet Bench.li
Posted: March 31, 2012 Filed under: Uncategorized | Tags: link, thesis Leave a commentIf you’re into graphic design, you should meet Bench.li
RISK Conference Live Blog, from Taubman College
Posted: March 30, 2012 Filed under: Uncategorized Leave a comment“RISK, a conference that highlights present predicaments in architecture and urban planning, will explore the intersection between entrepreneurship and practice, taking risks in design, coopting strategies from other disciplines to advance architecture and planning, and in general not being afraid of change.”
RISK Conference Live Blog, from Taubman College
Posted: March 30, 2012 Filed under: Uncategorized Leave a comment
untitled (by skeleton-mount) (credit unknown)
Posted: March 30, 2012 Filed under: Uncategorized | Tags: representation, thesis Leave a comment
SUPERSTUDIO
PHOTOMONTAGE FROM ‘SALVAGES OF ITALIAN HISTORIC CITY CENTERS’, 1971-72
The End of the Urbanized Interior
Posted: March 28, 2012 Filed under: Uncategorized Leave a comment…part commentary on Alejandro Zaera-Polo’s lecture at Taubman College, part snippet of research on The Anterior.
The End of the Urbanized Interior
Posted: March 27, 2012 Filed under: Uncategorized Leave a comment
c86:
Chris Burden – Metropolis II
Four years in the making, and currently installed at LACMA
Watch a short documentary about it HEREvia Art Blart
“Miniature cars speed through the city at 240 scale miles per hour; every hour, the equivalent of approximately 100,000 cars circulate through the dense network of buildings.” Damn!
Posted: March 27, 2012 Filed under: Uncategorized | Tags: link, news, thesis Leave a comment
Robin Hood Gardens, Poplar, London, 1967-72
(Alison & Peter Smithson)
It has recently been decided that this landmark social housing project (the largest ever by the Smithsons) will be demolished to make way for a £500 million new development known as Blackwall Reach. The destruction of our Brutalist architectural heritage continues: http://bit.ly/GS3bDm
Lecture: Benedetta Tagliabue 03.26.2012
Posted: March 27, 2012 Filed under: Uncategorized | Tags: architecture, benedetta tagliabue, lectures Leave a commentThe second live blog for the semester. Rather than post the entire text, perhaps a link is more befitting for Tumblr?
Lecture: Benedetta Tagliabue 03.26.2012
Reflecting on the Recent Work of EMBT and Benedetta Tagliabue
Posted: March 27, 2012 Filed under: Uncategorized | Tags: writing Leave a commentAs an addendum to the previous post’s attempt to transcribe Tagliabue’s lecture earlier this evening at Taubman College, a more personal, subjective reflection is warranted.
It is quite difficult to speak of EMBT without immediately thinking of Enric Miralles as an architectural figure difficult to classify. Tagliabue however, at least in the circles of graduate architecture programs, seems more of a mysterious figure. Speculation meanders across social circles as to what role Miralles’ counterpoint played in the design of the later seminole projects such as Santa Caterina and Scottish Parliament.
About a minute or two into the lecture, and Tagliabue expresses her position quite clearly as one both reflective to the special work completed by the couple and their practice, as well as the ease in which she prevails in the profession, embedding her vivacious personality into every project, regardless of scale, whether it be an art installation or high rise office building.
Perhaps, the aspect of the lecture that left students at Taubman College in a slightly euphoric state was the way in which EMBT’s work exuded a type of beauty only existing in works of instinct, passion, and chaos. In conversation about this topic shortly after the talk, a few of us grew to question the role of the academic institution in training future architects, particularly institutions within the United States. Project after project that lept onto the auditorium screen was not easily classifiable, nor were they embedded within a particular theoretical discourse, nor were they dependent on environmental, social, or spatial “performance.”
The performance of the projects shown were not in the architectonic components capabilities, but in the way they danced from ground plane to structure, to canopy, and so on. As the post-lecture conversation progressed, we had somewhat of a catharsis; the work was not about ideology. It was not about a critique of the contemporary condition. It was not a polemical reading on the typologies that preceded it. There was a common thread with the breath of work precedented: the importance of experience. Not in the quantifiable, profit-enabling type of experience, but through utter celebration of physical artifacts that are always composed into places of beauty.
Whether the professional, professor, or student, we all have something to gain from removing ourselves form contemporary discourse every once in a while, instead contemplating imaginary worlds in which our design fancies may not only be discussed, but used to enrich the lives of its users.
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